Indonesian Locals Warn Guests About 'Satan's Hotel'

thejakartaglobe - Thunder crackled ominously and rain lashed down from a leaden sky. The headlights of the trucks plying the Surabaya-Malang highway were orange smears in the dusk. It was time to stop for the night.

The hotel I was headed to loomed up on the right, a five-story hulk of salmon-pink masonry towering over the low-rise town of Lawang in East Java. “Hotel Niagara” read the sign above the door.

“Yes, we have a room available,” said the man at the desk, adding, with what could have been a sinister smile, “It’s on the third floor.”

The third floor? Wasn’t that where they said the locked room never rented to guests was located? I put the thought from my mind and followed the receptionist past an empty dining hall and up gloomy flights of tiled stairs. There was a faint smell of furniture polish and old wood.

The room was at the back of the building. It was enormous, with a high ceiling and a balcony. The receptionist handed me the key. “Breakfast is included,” he said, and turned away, his footsteps fading along the dark corridor. Breakfast? I had to get through the night first …

My arrival at Hotel Niagara, seemingly plucked from the opening scenes of a scary movie, was entirely appropriate. The suggestion of spending a night there had prompted near hysteria from my otherwise rational Indonesian friends.

The century-old colonial relic, about 70 kilometers south of Surabaya, was haunted, they said. Many years ago a Dutch woman had thrown herself from one of the balconies — or perhaps she had been brutally murdered there by Japanese soldiers during World War II. But whatever the details of the story, all agreed that the building was the abode of terrifying spirits. The fifth floor, rumor had it, was so riddled with malevolent ghosts that it was closed to the public, there was a room somewhere in the hotel that had a tendency to fill with blood at night and, of course, there was that locked room on the third floor.

All that only made me more determined to go and investigate.

“Just make sure you sprinkle salt under your bed,” one friend suggested — an apparently fail-safe anti-ghost measure.

“And don’t be surprised if you don’t wake up in the same place where you went to sleep,” added another.

It had all seemed rather silly at the time, but now I wasn’t so sure.

At the back of my room was a locked door. I tentatively slid the bolt. Behind it was a flimsy sheet of wood. It gave way slightly to my touch and a gust of icy air rushed over my fingers. Could the notorious locked room lie behind it?

Apparently not. There was another occupied room beside mine; the sheet of wood merely blocked an old dividing doorway. But there were plenty of other spooky corners. At the head of the stairs was the entrance to the old elevator shaft. Again the teak-and-glass doors creaked open to my touch. Again there was a gust of icy air followed by a nervous retreat.

The way to the floors above was blocked by a “do not enter” sign, and beyond it a sturdy metal gate. Through the bars I could see a corridor and half-ajar doors in the gloom. The fourth and fifth floors were decidedly off limits. What was up there? The bleeding room? The ghost of the Dutch woman?

Night had fallen. I went back to my room and turned on the television. No lank-haired demoness crawled out of the screen. I took a shower. No blood poured from the taps. I settled down under my blanket. Was that the distant sound of mournful singing in Dutch. Or just Indonesian pop music from the television in the next room? I wasn’t sure, but before long I was fast asleep.

Ghost stories aside, Hotel Niagara certainly has an interesting past. Today the little town of Lawang is just a string of concrete shops. Modern travelers from Surabaya merely shoot a nervous glance at the haunted hotel and head on to Malang. But in the colonial era, Lawang itself was an upland retreat of considerable renown.

The hotel was originally built at the turn of the 20th century as a private villa for a wealthy local Chinese businessman, Liem Sian Joe. The architect, Fritz Joseph Pinedo, was also responsible for various notable buildings in Surabaya, but for the villa he eschewed the usual Indo-Nederlands style for what could best be described as proto-Art Deco with Latinate touches. Five stories high with an elevator, it was a cutting-edge design for its time.

The building remained a private residence until the 1960s when Liem Sian Joe’s family, fallen on hard times, departed for the Netherlands. But most of the original features remain — the tile-work, wood paneling, vaulted ceilings and the windows, still bearing the “LSJ” motif of the original owner.

Unlike other colonial-era hotels in Indonesia, the Niagara has not been restored; it has been preserved. And though the balconies may be a little mildewed, with the simplest of the 14 rooms costing only Rp 75,000 ($8) per night it’s both authentic and cheap — and there’s always the chance of a haunting thrown in.

Clear-headed questions are best left for the morning, and after waking up in exactly the same place where I went to sleep, I set out to quiz the hotel staff.

Two uniformed young men, Adi and Gunawan, were cleaning the room next to mine. Were the ghost stories true, I asked.

“I’ve been working here for two years,” Gunawan said, smiling at the familiar question. “I’ve never seen or heard or felt anything.”

“I’m still new here, but neither have I,” Adi added.

But what about the rumors — why were the upper floors closed? “They’re under renovation,” Gunawan said.

And was it true about the locked room on the third floor? They laughed: “Nonsense, we use them all. You can see if you want,” Gunawan said.

According to Gunawan the lurid ghost stories had their origins in nothing more than the fact that the Niagara is an unusual old building. “The people who say those things are always people who have never stayed here,” he said.

Their smiles were reassuring, but I glanced in the direction of the locked gate and the forbidden floors. Could they be hiding something? Don’t be silly, I told myself, heading downstairs to check out.

When I asked Ratti, the woman working at the reception desk, about ghosts, she said, “I’ve been here for seven years. I stay in the hotel 24 hours a day and I’ve never seen anything strange, and neither have any guests I know of. Why? Did you?”

“Well, no.”

“Floor five was never renovated when they converted the building to a hotel, and it’s not safe. Floor four we used to use, but now it’s just for storage. That’s why they’re closed, not because of haunted rooms.”

I paid my bill and Ratti bade me a cheery farewell. I went outside and started my motorbike. The sky was already dark with rain clouds. Lack of ghosts aside, Hotel Niagara had certainly been an interesting place to spend the night, and at least I would be able to disabuse my friends in Surabaya of their wild ideas.

There was another reassuring smile from the security man at the gate, and I glanced back over my shoulder for one last look at the towering pink-and-white facade. The lights were on the fifth floor…
_____________________

A GUEST'S ASSESSMENT OF THE NIAGARA HOTEL

At a hotel, in the business of offering hospitality and service, one, of course, expects that standardized warm, blabbering, unstoppable promotional introduction from any of its staff. So what's going on in here?

The distant look of the staff is off-putting. Therooms are well lit but appear gloomy. A reproduction of an old painting of Dutch girls and the plastic flowers on the dining tables, large teak window panels and the dusty elevator all add to the hollow feeling that this is a place which time has sadly passed by.

"I am new here, so it's better you talk to pak Willy," he said, breaking the awkward silence and introducing a polite, sharp-eyed security guard.

Saying he was a new employee was a polite way of excusing himself from saying anything about the hotel, or having to answer any delicate questions. Only eight people work at the hotel, most of them locals, although Willy was from Flores.

When one sees the beauty and faded elegance of the hotel, it's especially confounding that the people running it seem to be doing their best to keep it out of the public eye.

But perhaps they have reason to be wary. Their indifferent attitude is best characterized as a defense mechanism, for the hotel has long been the
subject of a particularly nasty rumor that has kept visitors at bay.

Media, including leading Kompas daily, have "exposed" the story of the supposedly haunted hotel. Now it's the first thing that comes to mind for locals, and others from all over who have heard the story, true or not, of a suicide on the premises (the legend also comes in various other grisly versions).

Well, those kind of things surely kill business. People's interest in coming, even to drop by for a coffee or another item from the hotel's limited menu, soon vanishes.

Travelers from Surabaya would rather give the hotel a furtive passing glance on their way to Malang, an hour's drive from Lawang, to stay the night.

"What are you doing at satan's (devil's) hotel. It's spooky. No one goes there anymore," a taxi driver chided, the second or third person to proffer the warning.

Still, not everybody buys the tales of hauntings; poet W.S. Rendra and actress Yessy Gusman and her family are among those who have stayed there.

The building, dating back to 1918 and designed by Brazilian-born architect Fritz Joseph Pinedo, is one of East Java's designated heritage buildings.

It was originally a magnificent villa owned by Chinese trade baron Liem Sian Yu, who later fell on hard times and left for the Netherlands. The building was bought by a local family and converted into a hotel in the 1960s.

Sources:
www.niagaramalang.com
www.endlessindonesia.com
www.mail-archive.com/ppiindia@yahoogroups.com